Bombay High Court Sets Deadline for CBFC to Decide on Kangana Ranaut's ‘Emergency’ Certification**
The Bombay High Court, on Thursday, emphasized the importance of creative freedom and freedom of expression, making it clear that these cannot be curtailed simply due to apprehensions about potential law and order issues. In its statement, the court conveyed dissatisfaction with the Central Board of Film Certification (CBFC) for failing to take a timely decision on the certification of Kangana Ranaut's film *Emergency*. As per the court's ruling, CBFC has been directed to make a decision on the film's certification by September 25, 2024.

This development comes after a petition filed by the makers of the film, accusing the CBFC of delaying the certification process due to political reasons, thereby pushing back the film's release. The delay has drawn attention from both the film industry and political commentators, as Emergency was originally slated to release on September 6, 2024. 

Court Defends Creative Freedom

The Bombay High Court's strong stance on upholding creative freedom and expression is significant in this context. According to a report by PTI, the court highlighted that the CBFC cannot refuse to certify a film simply because there is a perceived threat to public order or fears of law and order disruptions. In essence, the court reiterated that the film certification process must be based on the merits of the content, rather than on political or societal apprehensions. 

This defense of creative freedom serves as an important reminder of the role the judiciary plays in safeguarding the rights enshrined in the Constitution, including Article 19(1)(a), which protects the freedom of speech and expression. By calling out the CBFC for its delay, the court also emphasized that any action taken by the certification body must be free of undue bias or political influence.

**Accusations of Political Interference**

The controversy surrounding the certification of *Emergency* has raised questions about political interference in the film industry, particularly when films deal with politically charged subjects. The petitioner in the case, representing the filmmakers, claimed that the CBFC was deliberately delaying the certification process due to the sensitive political nature of the film. *Emergency* centers around the period of the Indian Emergency (1975-77), when former Prime Minister Indira Gandhi imposed emergency rule across the country—a topic that has always been politically charged.

In response to the petitioner’s accusations, the court made a pointed observation: Kangana Ranaut, the director, co-producer, and lead actor of the film, is herself a sitting member of parliament for the Bharatiya Janata Party (BJP). The court questioned why the ruling party would act against one of its own leaders. This remark put a spotlight on the paradox of the allegations, as the film’s lead figure is closely associated with the very political party being accused of stalling the release.

**Kangana Ranaut’s Criticism of the CBFC**

Kangana Ranaut, known for her outspoken political views, has been vocal about the challenges she has faced in getting *Emergency* certified. Earlier this week, she took to social media to criticize the CBFC, accusing the body of deliberately stalling the film’s release for political reasons. In a series of posts, Ranaut expressed frustration over the delay, suggesting that the certification process was being influenced by forces aiming to suppress the film due to its sensitive subject matter.

The *Emergency* film portrays the controversial period in Indian history when civil liberties were suspended, political opponents were jailed, and the press was censored. Given the sensitive nature of the film, Ranaut’s allegations point to a potential concern that the film could be seen as politically provocative, particularly in an election year.

**The Role of the CBFC in Certifying Films**

The Central Board of Film Certification (CBFC), often colloquially referred to as the Censor Board, is responsible for certifying films for public exhibition in India. While the CBFC does not hold the authority to outright ban films, it can refuse certification, recommend cuts, or assign restrictive age ratings based on the content. The CBFC’s role is to ensure that films adhere to the guidelines set out in the Cinematograph Act, which includes considerations of morality, public decency, and law and order.

However, over the years, the CBFC has often been accused of overstepping its mandate by censoring or delaying films due to political or social pressures. Films that tackle politically sensitive topics, such as *Emergency*, often find themselves under heightened scrutiny. In this particular case, the filmmakers’ allegation that the CBFC is delaying the certification process for political reasons underscores the broader debate about the role of politics in film certification.

**Implications for Filmmakers and Audiences**

The delay in the release of *Emergency* has broader implications for both filmmakers and audiences. For filmmakers, the case serves as a reminder of the potential challenges they may face when tackling controversial subjects. The film certification process, ideally meant to be a straightforward procedure, can become mired in politics, which can significantly impact the release timeline of a film. 

For audiences, the delay highlights the continued tension between creative freedom and political sensitivities in India. While the judiciary has often stepped in to defend artistic freedom, as demonstrated in this case, filmmakers and audiences alike are still navigating a landscape where political considerations often play a role in the distribution and exhibition of films.

**The Importance of Timely Certification**

The Bombay High Court’s order for the CBFC to make a decision by September 25 is a step toward resolving the issue, but it also sends a message to the certification body about the importance of timely decision-making. The court’s stance on the matter reflects an understanding that delays in the certification process can have far-reaching consequences for filmmakers, particularly when political or commercial interests are at stake.

As the deadline approaches, it remains to be seen how the CBFC will respond to the court’s directive. Will the film be certified without further complications, or will new hurdles emerge in the coming days?


The Bombay High Court's intervention in the *Emergency* case highlights the ongoing struggle for creative freedom in India’s film industry. By emphasizing that the CBFC cannot refuse to certify a film based on speculative law and order concerns, the court has set an important precedent for future cases. For Kangana Ranaut and the makers of *Emergency*, the court’s decision provides hope that the film will soon receive its certification and reach audiences. However, the broader debate about political interference in the film certification process is far from over.